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契子、序。
#1
Historia
⋅
4 years ago
每每都會被寫的很流暢或是柔美的序跟契子騙進故事裡頭,挺好奇大家都是怎麼構寫的呢。
是在想好故事結構之後寫的嗎?
亦或是在撰寫故事之前寫下的?
(小聲)另外,不覺得我的頭貼很可愛嗎(ㆁωㆁ*)
Reply
#2
穹葉
⋅
4 years ago
想好故事結構之後/撰寫故事之前。
其實這兩個看起來好像沒啥不同,想好故事結構=還沒開始寫=撰寫故事之前
不過在不隨便亂開坑的理想(?)之後,寫序的必要條件是:「我會開這個坑。」
那,既然要開坑,大致的結構肯定是想好了🤔前言之類的我基本是用主角自白,所以很自然而然就會冒出來。
不過竟然是被楔子騙進去而不是簡介或文案嗎🤔?
(PS:頭貼很可愛,知道那隻鳥,但叫不出名字XD)
Reply
Historia
⋅
4 years ago
@葉墨生花❈穹葉,
主角自白這方法好像很不錯喔,我通常都是盲選作品,不看文案跟簡介,不然總覺得會錯過一些好作品。
名字是鳥哥喔,尤其是那雙小眼珠😂
Reply
#3
斟墨客 。 迷
⋅
4 years ago
咱是一定會有一個主線,然後在不偏離主題下開始放飛自我(不是
好啦!認真說www咱是在想伏筆、以及高潮點時才會想起結構這東西,才開始佈因果。
還有一個點就是事件,大概想了有三四個事件,就會開始動筆了XDD
然後不知為什麼每次想結局都比劇情出來的快哈哈哈哈
Reply
Historia
⋅
4 years ago
@斟墨客 。 迷,
不用害羞,我也常放飛自己###結局這東西門關著他自己就跑進來了,鑰匙在手,結局就有😂
Reply
斟墨客 。 迷
⋅
4 years ago
@子海,
然後劇情偏偏一直不出來,但是又好想趕快寫結局!!!!攥著結局沒辦法寫,根本有苦(結局)說不出,超無奈(´・ω・`)
Reply
Historia
⋅
4 years ago
@斟墨客 。 迷,
這麼說,劇情就像驅車離家的孩子,做媽的我們只能慈母手中線,遊子身上衣了……
Reply
斟墨客 。 迷
⋅
4 years ago
@子海,
遊子還有回來的可能,劇情是說走就走呀QQ
別小看劇情的叛逆期
Reply
嵐隱
⋅
4 years ago
哈哈哈,你們聊的好好笑XD
雖然我也是結局先想到的,過程就真的要在過一段時間。(結論是還是單篇的比較好寫XD
Reply
#4
朱諾(Juno)
⋅
4 years ago
我寫序通常都是靠靈感在撐,所謂的自由放飛。不過幾章後就會拉回來寫大綱了。
個人覺得序寫的好沒有用,如果之後的文筆下滑,反而會因為反差而失落感加成。然後,我的教授覺得雙城記的書卷語是寫的很美的廢話,因為跟後文沒啥關聯。
好的序具備懸念、讓讀者想要讀下去,說白了就是利用衝突。至於要不要先寫大綱都看個人習慣吧!大綱型作家的方式不一定適用靈感型作家,主要是找到最適合自己的方式。
Reply
Historia
⋅
4 years ago
@朱諾(Juno),
我喜歡寫的洋洋灑灑的大綱,但是單看大綱好像就知道結局了……就像朱諾說的好的序要具備衝突,感覺又學到一些東西。
Reply
朱諾(Juno)
⋅
4 years ago
@子海, 大綱正常來說是作者寫給自己看的,不太會發出來吧? 我覺得penana 很多人都搞混大綱跟文案的差別了。
Reply
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