LIGHT FADES IN:
ACT 1
SCENE 1
INT. A CABIN IN THE FOREST — DAY
Interior plainly decorated, with no walls to separate the living room from the study room or main bedroom. Sunlight shines into the cabin through the window.
GRANDMA, an elderly female with not a lot of wrinkles, sitting with a relaxed posture on a chair by the dinner table, fiddling around a ball she is holding.
(The sound of a door opening came in from the right side, outside the stage.)
Following the sound, A young boy (MANSON), wearing a red shirt and a red cloak tied over his shoulder, holding on to a basket with his right hand and swinging it back and forth as he almost half skipping, entered from outside the cabin.
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MANSON522Please respect copyright.ＰＥＮＡＮＡ3i7C0fvCfL
(sounding joyful)522Please respect copyright.ＰＥＮＡＮＡh3aKyLadYk
Grandma! You wouldn’t believe what had just happened!
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MANSON giggled, as he motioned to close the door behind him.
(Sound of the door closing.)
GRANDMA stood up from the chair she was sitting on, made a motion of greeting, and welcomed MANSON into her cabin.
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MANSON (CONT’D)522Please respect copyright.ＰＥＮＡＮＡ45sNRn6gUC
(excited)522Please respect copyright.ＰＥＮＡＮＡrcPnAZ5WsG
I meet an abductor!522Please respect copyright.ＰＥＮＡＮＡIOxjEs7uyS
She tried to lure me into a wagon, but I got rid of her.
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GRANDMA lightly gasped and rested her left hand on her chest, not making any physical contact with MANSON.
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GRANDMA522Please respect copyright.ＰＥＮＡＮＡDI9IcNBtfJ
(relieved)522Please respect copyright.ＰＥＮＡＮＡevQ8Pxc66D
O I’m glad you didn’t get abducted, my little Manson.522Please respect copyright.ＰＥＮＡＮＡRmPVVuuGS8
How I’ve seen you grow,522Please respect copyright.ＰＥＮＡＮＡHAy8FkcsnX
I wouldn’t dare imaging anyone taking you away.
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MANSON led GRANDMA back to the table, then turned to face GRANDMA with a big smile.
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MANSON522Please respect copyright.ＰＥＮＡＮＡr8OI2ILKGN
(happily)522Please respect copyright.ＰＥＮＡＮＡ1ORf8IkuiL
Thank you, Grandma!522Please respect copyright.ＰＥＮＡＮＡyYMhbkJyvA
You’re the best!
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MANSON set the basket on the table and began taking food out, and display them on the table. GRANDMA helped set the plates and utensils.
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MANSON (CONT’D)522Please respect copyright.ＰＥＮＡＮＡpJAkBbZ7Qo
Mother prepared all these foods for us.522Please respect copyright.ＰＥＮＡＮＡs2WktDLfiO
Grandma, let's eat!
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GRANDMA522Please respect copyright.ＰＥＮＡＮＡhUB3KohBRk
(chuckles)522Please respect copyright.ＰＥＮＡＮＡojHewwhl4L
Yes, yes. Let’s eat before the food gets spoiled.
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GRANDMA looked at MANSON with an unreadable expression as she finishes her sentence. GRANDMA and MANSON sat down by the table and began eating.
After finishing the food, GRANDMA and MANSON cleaned up the remaining, and MANSON made the bed and went to sleep.
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SCENE 2
INT. A ROOM IN THE HOUSE IN THE FOREST — NIGHT
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Single bed is placed on the left side of the room.
(Lighting dimmed.)
MANSON lying on a bed, head facing the front of the stage, sound asleep.
GRANDMA slowly moved toward MANSON’S bed and stood on the side that MANSON'S not facing. Raised one of her hands that was holding a knife.
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GRANDMA522Please respect copyright.ＰＥＮＡＮＡcw51c2PAOO
(quietly yet audible)522Please respect copyright.ＰＥＮＡＮＡZDyY79ckRa
Yes, yes. Let’s eat before the food gets spoiled.
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(All lights turned a tint of red as GRANDMA stabs into MANSON.)
GRANDMA cleans up the mess she made and unties MANSON’S red cloak from him.522Please respect copyright.ＰＥＮＡＮＡfuVeL2l0KK
GRANDMA exits the stage from the right with the cloak and knife in hand.522Please respect copyright.ＰＥＮＡＮＡDQI6YBWnSV
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SCENE 3
EXT./INT. THE FOREST/THE CANDY HOUSE — NIGHT
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(Same lighting.)
A house made out of candy is seen in the far back, GRANDMA standing on the far front, on the right.
GRANDMA, standing, with one hand holding on to the red cloak, lifted her hands and lightly cleaned the bloody knife and herself. Turned toward the direction of her candy house, dragging the red cloak by her side, and walked toward it.
(As GRANDMA is walking toward the candy house, the background switches to the interior of the candy house. Lighting mixed with the color of fire from the fireplace, emitting a sense of coziness.)
GRANDMA changes body direction to face the left, made a motion of opening the door and entered the candy house. Walked in and walked up to a wall on the far left, pulled the cloth in front of her, and hung it onto the wall.
GRANDMA turned around, facing the audience, smiled lightly, and laughs mischievously.
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LIGHT FADES OUT:
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