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  • Writer
    Penana小熊
    Penana小熊
    陪伴大熊左右，降生於這地球——

    Penana大熊的朋友，是三隻小熊之一，白熊！

    並在這裡兼職著小編。

    最愛看具生命感的文字！
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讀寫象外
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Table of Contents Intro Comments (0)
swap_vert
#1
——《讀寫象外》序
0 Likes
8 Reads
0 Comments
☰
#2
靈感與「零」感（一）
0 Likes
6 Reads
0 Comments
☰
#3
靈感與「零」感（二）
0 Likes
6 Reads
0 Comments
☰
#4
靈感與「零」感（三）
0 Likes
5 Reads
0 Comments
☰
#5
再談靈感
0 Likes
6 Reads
0 Comments
☰
#6
孩子缺乏想象力，怎辦？（一）
0 Likes
4 Reads
0 Comments
☰
#7
孩子缺乏想象力，怎辦？（二）：直面孩子真實的內心世界
0 Likes
2 Reads
0 Comments
☰
#8
孩子缺乏想象力，怎辦？（三）： 潘朵拉盒子排斥症候群
0 Likes
2 Reads
0 Comments
☰
#9
聯想力（一）
0 Likes
4 Reads
0 Comments
☰
#10
聯想力（二）
0 Likes
4 Reads
0 Comments
☰
#11
寫作可以是一場惡搞
0 Likes
3 Reads
0 Comments
☰
#12
「寫甚麼」與「想寫甚麼」
0 Likes
4 Reads
0 Comments
☰
#13
寫作就是要直抒胸臆
0 Likes
3 Reads
0 Comments
☰
#14
怎樣開筆——關於從主題到故事的問題
0 Likes
3 Reads
0 Comments
☰
#15
主題：故事的立足點
0 Likes
3 Reads
0 Comments
☰
#16
好故事vs好技法 （一）
0 Likes
4 Reads
0 Comments
☰
#17
好故事VS好技法（二）
0 Likes
3 Reads
0 Comments
☰
#18
故事的緣與份
0 Likes
2 Reads
0 Comments
☰
#19
故事三原素
0 Likes
2 Reads
0 Comments
☰
#20
結構 VS 佈局（一） ：文章主角
0 Likes
2 Reads
0 Comments
☰
#21
結構 VS 佈局（二） ：塑造角色
0 Likes
2 Reads
0 Comments
☰
#22
情節ABC：旅程式情節
0 Likes
3 Reads
0 Comments
☰
#23
情節ABC：揭露式情節
0 Likes
2 Reads
0 Comments
☰
#24
創意寫作技法（一）： 錯置、善變與延伸
0 Likes
3 Reads
0 Comments
☰
#25
創意寫作技法（二）：直觀
0 Likes
3 Reads
0 Comments
☰
#26
創意寫作技法（三）：極致與埋伏
0 Likes
3 Reads
0 Comments
☰
#27
細節——文章的關鍵
0 Likes
2 Reads
0 Comments
☰
#28
我對青年作者的一點建議
0 Likes
2 Reads
0 Comments
☰
#29
再給青年作者一點建議
0 Likes
2 Reads
0 Comments
☰
#30
評《兔之眼》：保衛兒童世界的城堡
0 Likes
2 Reads
0 Comments
☰
#31
作家與編輯，躺著也中槍──《歪笑小說》
0 Likes
2 Reads
0 Comments
☰
#32
栽培小作家，由生活出發：從阿濃《幸福窮日子》談起
0 Likes
2 Reads
0 Comments
☰
#33
淺論阿濃
0 Likes
7 Reads
0 Comments
☰

讀寫象外

favorite
0 likes
Be the first to like this issue!
swap_vert
#1
——《讀寫象外》序
0 Likes
8 Reads
0 Comments
☰
#2
靈感與「零」感（一）
0 Likes
6 Reads
0 Comments
☰
#3
靈感與「零」感（二）
0 Likes
6 Reads
0 Comments
☰
#4
靈感與「零」感（三）
0 Likes
5 Reads
0 Comments
☰
#5
再談靈感
0 Likes
6 Reads
0 Comments
☰
#6
孩子缺乏想象力，怎辦？（一）
0 Likes
4 Reads
0 Comments
☰
#7
孩子缺乏想象力，怎辦？（二）：直面孩子真實的內心世界
0 Likes
2 Reads
0 Comments
☰
#8
孩子缺乏想象力，怎辦？（三）： 潘朵拉盒子排斥症候群
0 Likes
2 Reads
0 Comments
☰
#9
聯想力（一）
0 Likes
4 Reads
0 Comments
☰
#10
聯想力（二）
0 Likes
4 Reads
0 Comments
☰
#11
寫作可以是一場惡搞
0 Likes
3 Reads
0 Comments
☰
#12
「寫甚麼」與「想寫甚麼」
0 Likes
4 Reads
0 Comments
☰
#13
寫作就是要直抒胸臆
0 Likes
3 Reads
0 Comments
☰
#14
怎樣開筆——關於從主題到故事的問題
0 Likes
3 Reads
0 Comments
☰
#15
主題：故事的立足點
0 Likes
3 Reads
0 Comments
☰
#16
好故事vs好技法 （一）
0 Likes
4 Reads
0 Comments
☰
#17
好故事VS好技法（二）
0 Likes
3 Reads
0 Comments
☰
#18
故事的緣與份
0 Likes
2 Reads
0 Comments
☰
#19
故事三原素
0 Likes
2 Reads
0 Comments
☰
#20
結構 VS 佈局（一） ：文章主角
0 Likes
2 Reads
0 Comments
☰
#21
結構 VS 佈局（二） ：塑造角色
0 Likes
2 Reads
0 Comments
☰
#22
情節ABC：旅程式情節
0 Likes
3 Reads
0 Comments
☰
#23
情節ABC：揭露式情節
0 Likes
2 Reads
0 Comments
☰
#24
創意寫作技法（一）： 錯置、善變與延伸
0 Likes
3 Reads
0 Comments
☰
#25
創意寫作技法（二）：直觀
0 Likes
3 Reads
0 Comments
☰
#26
創意寫作技法（三）：極致與埋伏
0 Likes
3 Reads
0 Comments
☰
#27
細節——文章的關鍵
0 Likes
2 Reads
0 Comments
☰
#28
我對青年作者的一點建議
0 Likes
2 Reads
0 Comments
☰
#29
再給青年作者一點建議
0 Likes
2 Reads
0 Comments
☰
#30
評《兔之眼》：保衛兒童世界的城堡
0 Likes
2 Reads
0 Comments
☰
#31
作家與編輯，躺著也中槍──《歪笑小說》
0 Likes
2 Reads
0 Comments
☰
#32
栽培小作家，由生活出發：從阿濃《幸福窮日子》談起
0 Likes
2 Reads
0 Comments
☰
#33
淺論阿濃
0 Likes
7 Reads
0 Comments
☰

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